All Cameras Are Good Cameras

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Last Updated on October 10, 2021

All Cameras Are Good Cameras

Basically, all cameras are good cameras. Why? Well, it’s actually hard to find a bad camera if you’re spending less than $150 at a big-box retailer or diving through the remainder bin. There is none. Camera industry insiders know this little-known secret, which keeps company executives up at night as they attempt to boost flagging sales of cameras.

Smartphones and social media are still causing havoc on an industry still reeling from their impact. The biggest obstacle to persuading us to buy “improved” models every four or five years is the fact that cameras have become more sophisticated. 

Despite the number of features we already own, we do not need them and they provide a better image quality than most of us will use in our lifetimes.

You can’t find anything on the shelf of a camera store that fails to provide adequate lighting when used. In normal daylight conditions, it is quite obvious that just about any camera made within the last eight years can capture great images. 

A great photograph comes from a photographer’s vision, preparation, and anticipation, not the camera used to capture it; a vacation snap won’t ever be exhibited in a museum. In terms of pure technical features, such as the ability to focus accurately, to create a pleasing exposure, and to reproduce colors and tones as you see them, it’s impossible to find anything on a camera-store shelf that fails to deliver the goods under good lighting.

You are on a fool’s errand if you think a better camera will improve your photos. It is important to note, however, that I am not saying that all cameras produce identical images, or that any particular camera would be a good match for every type of photographer. Buying a new camera can significantly improve your photography, but only after having carefully considered how you will use it.

All of them are so good, why is that?

Let’s start with some background. When digital cameras first came about, the sensors that recorded the image were quite inferior. In 2000, technology that allowed for an ISO up to 1600 and a 3-megapixel sensor was cutting-edge.

A key question back then was whether DSLRs would ever be able to capture detail over the same range of tones as film. Almost a decade ago, digital cameras had surpassed film in terms of detail and dynamic range (the amount of detail that can be captured simultaneously at both the highlight and shadow levels).

The size and bulk of these cameras, however, made them heavy. They can be sore on the shoulders for those coming from compact cameras. 

A new camera type known as the “mirrorless” was introduced in 2008, replacing the interchangeable lens camera. In the early days of these cameras, Micro Four Thirds sensors were used which were more unique because of their physical size. 

In comparison to point-and-shoot cameras, they have larger sensors, but they are smaller than those in DSLR cameras, so they produce images that are adequate for all but the most demanding users. 

Additionally, these cameras used electronic (versus optical) viewfinders, making them much smaller and more compact. The smaller sensor also allowed their lenses to be lighter and more compact than those designed for DSLRs. In a two-pocket iPad shoulder bag, I packed a mirrorless camera and three lenses for vacation.

Since then, higher-quality, higher-resolution sensors have been squeezed into increasingly smaller cameras. Today’s camera pick is our pocket-size Sony RX100 III, which features a 21-megapixel sensor to deliver high-quality images even when the light drops.

The Japanese company is known for innovating in-camera sensor design, so much so that many brands of cameras (as well as smartphones) use Sony sensors in their models. 

Many brands produce similar images, thus allowing shoppers to choose between a wide number of camera brands. You’re pretty likely to be using a Sony sensor if you use Nikon, Olympus, Fuji, or Pentax cameras.

 

You should shop for how you shoot

Due to such uniformity in performance at any given sensor size, the lens you use is often what makes a difference in image quality. As sensors have improved dramatically in capturing detail, older, less expensive lenses have been unable to keep up. You need high-end lenses with a 36-megapixel DSLR to take advantage of its full photographic potential. Aspects of lenses like the focal length and the maximum aperture also play a very important role in the quality of your images.

 

Here are the questions that you need to answer to determine what camera you should go for-

 

Do you want a dreamy, blurred background for your head-and-shoulder portraits? 

To take this picture, you’ll need a medium telephoto lens with a maximum aperture of  f/2.8 or wider. You can capture details we wouldn’t notice with the naked eye with a macro lens if you enjoy taking close-ups of tiny objects.

Does it really matter which camera you buy if every camera makes great images? 

Yes, absolutely. 

Just because a camera delivers high-quality images under “normal” conditions does not mean it is the right camera for you. If you move past inexpensive beginner models, cameras become more specialized tools. Some are suited to some kinds of photography while others are not. Therefore, before you purchase a camera, take a moment to first consider your logistical and creative requirements.

Personal preference should never be discounted. In some cases, you will like the feel of a particular camera better than others.

Are you a stage photographer who shoots performances in dark spaces where flash is prohibited? 

Or,

Are you a natural light photographer who shoots outdoors in very bright, sunny lights? 

You may want to switch between lenses geared for different types of shooting. How varied are your shooting requirements? In each of these scenarios, the camera needs to provide different attributes. There is no camera that can cover all shooting situations equally. 

Don’t underestimate the value of a personal preference

You’ll find that some cameras feel better in your hands than others. There may be a camera that is more comfortable to hold for your palm than another. The buttons may feel more firm and tactile. 

Can you figure out the camera quickly? 

If it’s so complicated that you have to open its manual every time you want to use it, I doubt it will last long on the shelf. The physical appearance of a camera is also important. When you see an old-school camera with dials and switches that excite you, you’re more likely to use it than if it looks boring to you.

Follow your passion

Therefore, most of us do not need to buy a new camera to take better pictures. Instead, find an area that you’re passionate about. If you take pictures of things that get you excited, you’ll do much better. Enroll in a photography class. 

Motivating and inspiring yourself by interacting with like-minded peers is a great way to stay motivated. Most importantly, go out and shoot a lot. With practice, photography improves as with any other skill. Put your best efforts into shooting what you have.

When should you buy a new camera? 

All Cameras Are Good CamerasOnce you find a model that can solve a particular problem you have currently with the one you already have.

There’s no better time to buy a camera than now.

 

Olivia Bouler

From a young age, camera's fascinated me. My dad gave me my first Canon when I was seven, and since then I've tried to improve my craft. As a young Ornithologist and photographer, I travel a lot and love to bring a camera with me. I love the feeling of capturing a moment that can never be repeated and providing someone with a memento of a time or place.